Filmmaker Spike Lee Reflects on 9/11 and Other Issues

Source: National Association of Black Journalists –

With the 20th anniversary of 9/11, the worst terrorist attack ever on American soil looming, a lot of folks are offering analysis and reflection. But no one is doing it quite like the visionary filmmaker Spike Lee. His new four-part, originally eight but now seven and a half-hour documentary series “NYC Epicenters 9/11-2021 1/2†that airs Sunday nights on HBO except for the finale on Sept. 11, is part historic examination and part political advocacy. Just like its creative force, the production is relentless in its inquiries, unapologetic in its tone, and both a celebration and searing polemic that raises troubling questions and spotlights alternately inspirational and disturbing figures among its 200 interviewees.

Lee serves as the off (and sometimes on) camera interviewer, and he’s not some disembodied, non-involved presence. He injects his opinions into these segments, and three things are crystal clear: One is his love for New York, which he has always said is “the greatest city in the world,†with particular shoutouts to Brooklyn. A second is his fierce support of and pride in Black culture and history, and the third is open contempt for much of what is now considered mainstream conservative political thought.
The first two parts (thus far the only ones I’ve had the opportunity to view) don’t even expressly deal with 9/11. The first episode looks primarily at the pandemic. Lee talks with medical people and ordinary folks whose lives were turned upside down by COVID-19. The segment repeatedly shows the folly and ineptness of then President Donald Trump (whom he constantly mocks as Agent Orange), from his initial claims it was a hoax to his attempts at downplaying its impact and even his suggestion of nonsensical remedies that were supposedly solutions or cures.

The second spotlights the 2020 national and global protests against police misconduct, while encompassing the impact of the Black Lives Matter Movement and equally fervent surge of White nationalist extremism, something he connects directly to the emergence of the “birther†movement and the Make America Great Again (MAGA) rhetoric emanating from the Trump campaign.
The final two portions reportedly focus solely on 9/11. These combine news footage and eyewitness accounts, while doing something many other examinations of this tragedy won’t do: include views and perspectives from Black New Yorkers whose memories about that day often get overlooked or even ignored. For instance Lee has gotten interviews with some United Airlines attendants whose accounts are certain to be gripping and unforgettable.

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